Thursday, May 29, 2008

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After an unseen force invades a quiet coastal town, ten women mysteriously find themselves pregnant. Local physician Dr. Alan Chaffee (Christopher Reeve) and government scientist Dr. Susan Verner (Kirstie Alley) join forces when the women simultaneously give birth and the reign of terror begins.
If horror maven John Carpenter decides to do a remake of a classic sci-fi horror film, it should be safe for fans to assume that it's gonna be great. After all, this is the groundbreaking filmmaker who turned Michael Myers into a slasher-film icon in HALLOWEEN (1978) and directed the highly revered THE THING (1982), itself a remake of the classic 1951 film THE THING FROM ANOTHER WORLD. So when Mr. Carpenter's 1995 remake of the classic 1960 thriller VILLAGE OF THE DAMNED came out, it should've been a fantastic cinematic experience for horror and science-fiction fans. It should've been. Sadly, it wasn't.
For those of you unfamiliar with the basic plot of both films, here's a quick summary. In the middle of a seemingly average day, all of the residents of a small village mysteriously fall unconscious, and anyone attempting to go into the slumbering village also passes out. When the folks finally awaken, most everything seems to be perfectly normal. Normal, that is, with the exception that all of the women of the village capable of bearing children are pregnant. The mystery children are all birthed nine months later, and as they grow, it is very apparent that all of them have eerily similar physical characteristics. Also, they mature and learn much faster than the average child, which is creepy enough. But the real terror begins when they start exercising their preternatural psychic powers.
In the original 1960 film, it was always tacitly implied that the strange children were fathered by extraterrestrials, but nothing occurs in the film to blatantly prove such. This actually adds to the mystery of the origin of the children, which in turn heightens the suspense and terror...and the fun for the audience. Unfortunately, Carpenter's 1995 remake loses most of this fear-of-the-unknown suspense when it is revealed that one of the children had miscarried, and the aborted fetus, which has been preserved in the office of the village doctor, looks like the stereotypical sci-fi alien, complete with bug-eyes and an almond-shaped head.
The original film stars British actor George Sanders as the astute "father" of one of the mystery tots who eventually infers the evil nature of the village offspring and ultimately saves the world. Sanders was an accomplished veteran of both the British and U.S. cinema, and his talent and experience add a great deal of credibility to the film's fantastic plot. But for some reason, John Carpenter chose to cast Christopher Reeve as the lead in his remake. Though Reeve is an adequate actor who did a fine job as Clark Kent and his titular alter ego in SUPERMAN: THE MOVIE (1978), he just simply does not have the range or depth of Sanders and is therefore unable to pull off a convincing average-Joe hero. Add to this the tepid performance of supporting actress Kirstie Alley (TV's CHEERS)--here grossly miscast as a government scientist--and it becomes impossible for the audience to suspend its disbelief and surrender to the fantasy of this film.
Carpenter's remake of VILLAGE OF THE DAMNED is not without its moments, however. Gore hounds and fans of slasher films like Carpenter's HALLOWEEN will enjoy the scene where a man lies roasting on a barbeque grill. And though they are not as genuinely eerie as the children in the original film, the evil kiddos in Carpenter's remake can often be creepy little brats, and some of their scenes are quite scary.
Overall, the 1995 remake of VILLAGE OF THE DAMNED is a disappointment, and true horror fans should avoid it and instead push harder for the original 1960 film to get the DVD treatment. In the mean time, fans who want to spend an evening with John Carpenter will probably get more satisfaction from viewing one of his other films like THE FOG (1980) or THEY LIVE (1988).

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